[Error: unknown template qotd]I'll use this space instead to gripe about how I really don't care much for poetry. I'm more with
this person in her reaction to some offerings from a university magazine: "Amateur pirouettes on a page, terribly proud of themselves." Most poems seem borne of the author's notion that their thoughts will
become
PROFOUND
if they are
punctuated
and
s p a c e d
eccentricly.
Moreover, most "great" English-language poems are written in the overdone late-19th-century British style, choked with doilies and ornamentation. The ratio of verbiage to actual sentiment is very high. At the risk of sounding like a narrow-minded Nipponophile, I prefer haiku to this overly-gilded approach - a quiet metaphor of imagery that invites the reader to complete the picture.
(Regarding English works, I'm more partial to those that pay attention to rhythm in their structure - "The Raven," for example, as trite a choice as that may be.)
A family member is very fond of Robert Frost, but everything he's written that's not "The Road Not Taken" strikes me as greeting-card pap, the kind of stuff that New York City people who've moved upstate would write to show that, look, they have a place in the backwoods five whole miles from a McDonald's and are Country Folk now. I was brought to the Frost museum once and now, upon mention of Frost, can't ever forget the story of his wife, who was just as accomplished and promising a poet as Robert was in their university days but was forced to give up her career in favor of her husband's.
Back to haiku: early, way early in my Japanese studies, I bought a book of haiku translated in the '40's or maybe it was the '60's. The translations were vivid enough to communicate the beauty of the originals, but one affectation marred things: the author made every first and third line rhyme, "because," he said, "quite simply, I like it." Basho's considered the grand master of the form, but I remember that his work didn't impress me as much as another, supposedly "lesser" poet considered to be second fiddle to Basho, but danged if I can remember his name now.
I did spend $30 at a time when I was making very paltry money on a book of Japanese death poems. I still haven't read it.
.